超旅程未來媒體藝術節 » W.A.V.E 城市微幅

W.A.V.E 城市微幅

W.A.V.E.

W.A.V.E 城市微幅

Produced | YiLab.
Concept & Choreography & Dancer | Wen-chi SU
Installation Concept & Sound | Yung-ta CHANG
Image & Programming | Slimmer In The Light
Kinetic Scene & Lighting & Costume | Wen-chi SU
Outside Eyes Arco RENZ

製作單位|一當代舞團
整體概念& 編舞 & 舞者|蘇文琪
裝置概念 & 聲音設計|張永達
影像設計 & 程式撰寫|夜較瘦
機械場景 & 燈光 & 服裝設計|蘇文琪
裝置技術統籌|張永達
裝置技術開發|何理設計、葉彥伯
舞台技術協力|雷若豪
影像 & 燈光執行|楊承翰
跨平台軟體整合|楊禮瑋
裝置技術助理|吳秉聖
排練演出助理|謝依明
舞台工程|力弘企業社、景翔舞台設計
投影器材|捷達數位系統
資源規劃協力|菉原創意整合
周邊技術協力|富貴列車設計

由洞穴到建築到虛擬空間,人類在文明發展的累進中,因應生存居住空間的轉移,以理性控制著周遭的環境。城市作為一個獨立的空間時間單位,在有限的空間中梳理城市人的生活思考方式與邏輯​。​因新媒體工具的發明而大量充斥於生存空間中不可見的人工聲波/光波/磁波/輻射或資訊雲,以透明不可觸摸的形態牽引著城市人生活重心與權利分配狀態。身體是否從此自由滲透(或被滲透)於空間中的各個層面?

From caves to buildings to virtual spaces, during the progressive development of human civilization, we have had to deal with changes in our living spaces using rational means to control our surrounding environment. A city is seen as an independent unit of space and time by which people’s way of thinking about lie and logic is sorted out in a place where space is limited. The core of the life and distribution of power of city dwellers has been drawn by the transparent and non-tactile state brought about by the development of new media tools as well as invisible man-made sounds, light waves, magnetic waves, radiation, and the information cloud that congests our living spaces. Does this allow the body to infiltrate at well (or being infiltrated) into space at all levels?

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