超旅程未來媒體藝術節 » 萬有引力的下午

萬有引力的下午

L’ Après-midi de la Gravité

Artist

Center for Art and Technology, TNUA

萬有引力的下午

創作者

國立臺北藝術大學科技與藝術中心

Artistic Director|Wang Jun-Jieh
Drama Coordinator|Ma Ting-Ni
Multimedia Design Coordinator|Wang Fu-Jui
Multimedia Production Coordinator |Lin Jing-Yao
Writers|Ma Ting-Ni, Wang Jun-Jieh, Wang Jia-Ming, Cheng Yen-Wei
Co-directors |Wang Jun-Jieh, Wang Chia-Ming
Stage Design|Chang Tse-Long
Costume Design|Weng Pang-Feng, Ray Fang
Technical Co-ordinator and Lighting Design|Kao Chih-Chen
Music Design|Chen Chien-Chi
Choreographer |Su Wen-Chi
Technical Design of Stage|Chen Jie-jun
Starring|Lin Ju-Ping, Jack Yao
Multimedia Visual Production
Wang Chung-Kun, Shi Yi-Shan, Chang Min-Chih, Chen Yu-Chun, Shen Sheng-Po, Tsai Jwo-Han, Hu Ping-Chung, Chang Chia-Wei
and the professional theater team of Taipei National University of the Arts

藝術總監|王俊傑
戲劇統籌|馬汀尼
多媒體設計統籌|王福瑞
多媒體製作統籌|林經堯
故事發想|馬汀尼、王俊傑、王嘉明、鄭衍偉
聯合導演|王俊傑、王嘉明
舞台設計|張哲龍
服裝設計|翁邦鳳、方廷瑞 
技術統籌暨燈光設計|高至謙
音樂設計|陳建騏
舞蹈設計|蘇文琪
舞台技術設計|陳杰駿
演員 |林如萍、姚淳耀
多媒體視覺製作|王仲堃、施懿珊、張敏智、陳育群、沈聖博、蔡卓翰、胡秉中、張家維及北藝大專業劇場工作團隊

本製作運用了新媒體數位技術,包括身體感測、全景貼圖投影、調光薄膜等新式材質,激發科技表演劇場的新可能。劇情呈現當代人際關係,透過他們,探討如何在重重難題後,重新獨立面對自我,變得更為完整成熟。劇中場景設定在奈及利亞,該國是全世界七成舊電視的回收國家,也是全世界雙胞胎生產率最高的國家,女主角的追尋意象亦在此被點出。環環相扣的主題,共有八個傘狀的片段,相互連結但又可以獨立成篇。

The production employs new media digital technology, including body sensors, mapping, smart film, etc. to explore new possibilities in high-tech theatre. The story reflects on contemporary social relationships. Through them we see how one might overcome all difficulties and find oneself again, only to become more of a complete person and wiser. The key scene is set in Nigeria, where 70% of the used TVs in the world are recycled. It also has the highest birth rate of twins, which alludes to the metaphor for the female character’s pursuit. There are eight interconnected umbrellas of storylines, which could be appreciated independently or together as a whole piece.

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