超旅程未來媒體藝術節

《黃安妮》計畫為一首創的機器操偶與人的互動演出，呈現一個科技偶與現實世界裡的真人如何帶來超越時空的交遇。科技的即時性與傳統偶的被動性，形成了可能的衝突與融合，再加上與人的現實互動，形成真實與虛擬的另一種並置對話。藉由偶、人與科技的模擬、反模擬、重置、再重置等角色互動關係，在形式上形成人操縱科技，科技操縱偶，偶操縱人的生態鍊，探討多層次的操縱動能如何影響環境的外在改變。

Project Anne Huang is an original interactive performance between a mechanical puppet and humans; digitally manipulated and moving with grace and beauty, the puppet encounters the human in real life. The immediacy of technology and passivity of a traditional puppet would conflict or agree, and therefore, in interacting with the reality, start a dialogue between the virtual and the real. Layers of (anti) simulation and (re)positioning between puppets, humans and technology articulate further how this power of control effects changes in the external environment.